ARTICLES ABOUT Brahma Tirta Sari:
2008
"Titik Pertama, Titik Utama: Creating and Connecting the Dots in Modern-Indigenous Batik Art," Astri Wright, in Nora Taylor and Boreth Ly, Eds., Modern and Contemporary Southeast Asian Art: A Critical Anthology, Ithaca, NY: Cornell University Press.
“Contemporary Classic Batik Patterns”, Ralhul Fadjri, Tempo Magazine, November 4-10 2008, No 0910, Jakarta, Indonesia
2006
“Let the Earth Speak” Joanna Barrkman, TAASA Review (Australian Society of Asian Art), Spring 2006: Sydney, Australia.
2004
“The Book of Batik,” Fiona Kerlogue, Archepelago Press, 2004
2001
“Putting in the Colour – Contemporary Aboriginal Textiles”. Desart, Alice
Springs Australia
1998
“Raiki Wara – Singing the Silk”. Utopia Batik. Jenny Green, Australian National Gallery, Victoria, Australia.
“Mutual Growth…Layer Upon Layer”. James Bennett. Object, 1998/2 Australia
1997
“The Crafts in Indonesia”. Michael O’Ferrall. Craftswest, 1997/2-3. Perth Australia
“Fragile Objects”. Elsje King, Margret Moore, Ibid. Perth Australia
“Cultural Exchange & Our Closest Neighbor”. James Bennett. Object 2, Australia
1996
“Journey to the Source”. Linda Kaun. Surface Design, Vol. 21 No. 2. USA
“Report From Indonesia - On Their Own Terms”. Claire Wolf Krantz. Art in America, July 1997. USA
1991
”Cultural Exchange”. James Bennett. Object, Fall 1995: Australia.
“Dhandang Gula - Contemporary Batik Art “. Michael O’Ferrall. Craftwest, Spring 1995. Perth Australia
“Dialogue With Indonesia”. Ibid. Contemporary Craft Review, 1994-5: Australia.
“In the Public Domain”. Ibid. Contemporary Craft Review, 1994-5: Australia.
1994
“More Than Three Worlds”. Ibid. Textile Fibre Forum, Volume 13, Issue 3 No.41: Brisbane Australia.
“TIKI IKAT-Indonesian dan Australian Aboriginal Textile Art”. James Bennett. Art dan Asia Pacific, Volume 1, No. 3: Australia.
1993
“Soul, Spirit, dan Mountain - Preoccupations of Contemporary Indonesian Painters”. Dr. Astri Wright. Oxford Press, Southeast Asian Publishing Unit Malaysia.
“Batik dan Resistances”. Julie Ewington. Object, Summer 93/94: Australia.
“Seidenmmalerei-Hdanbuch V (Contemporary Experimental Textiles)”. Rudolf G. Smend Gallery, Cologne, Germany.
1992
“Seni-Rupa – Contemporary Indonesian Art”, Jim Supangkat. Art and Asia Pacific: Juni, 1993 Sydney, Australia
“Brahma Tirta Sari”. James Bennett. TAASA Review (Australian Society of Asian Art), Spring 1992: Sydney, Australia.
“Antara Teman – Between Friends”. ibid. Textile Fibre Forum, No.35: 2 Brisbane, Australia 1992
ART PIECES COLLECTED BY:
Powerhouse Museum, Sydney, Australia
Edith Cowen University, Perth, Australia
Museum & Galleries of the Northern Territory, Darwin, Australia
Sydney University, Sydney, Australia
Museum and Galleries of Western Australia, Perth, Australia
Edwin’s Gallery, Jakarta, Indonesia
Museum and Art Galleries of Queensland, Brisbane, Australia
Museum and Art Galleries of Southern Australia, Adelaide, Australia
National Gallery of Australia, Canberra, Australia
Art Bank of Australia, Canberra, Australia
Residence of Ambassador of Australia, Jakarta, Indonesia
Wollengon City Museum, Wollengon, Australia
Threads of Life Foundation
Textile Museum Washington DC
Private Collections
FILM :`
“Hot Wax”. Documentary film about the collaboration of Brahma Tirta Sari & Utopia Urapuntja, Central Australia. Filmed for the Australian Educational Television Station. Hilary Furlong, 1996.
Shown at Museum Asian Civilizations, May 2002
PUBLIC ART SPACE:
Oriental Hotel Esplanade Singapore
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